COVER GIRLS
Sometimes I take my
vintage Dell paperbacks of
Richard B.'s off the shelves,
not to re-read them,
but to place them on the table
and gaze at the iconic photos
of the author's girlfriends du jour:
Trout Fishing in America's
inscrutable granny-glassed wraith
straight out on an 1850's daguerreotype
the haughty hippie goddess of
The Pill Versus the Springfield Mine Disaster
the spunky Scandinavian beauty
playing in the sand adorning
Rommel Drives on Deep Into Egypt
and, most disturbingly, the young woman
(looking all the world like a teenage runaway)
posing for In Watermelon Sugar,
whose vapid expressionless stare suggests
horrors witnessed and/or endured
over the much-vaunted Summer of Love...
And I find myself thinking of
Suze Rotolo, making hay
for her retirement with
her memoir of that
two-timing weasel Bobby D.
or even the 3 gals from
"Faster, Pussycat! Kill! Kill!"
who, 40 years after the fact,
re-united for a "making-of" documentary
and sundry appearances at
fancy international retrospectives,
belatedly getting the love
they always deserved for
their shining moment of
cinematic glory
And so, it seems a shame that,
considering all the Beat
literary conferences and festivals
proliferating around the globe,
the Brautigan girls couldn't have
gone on the road and
gotten some recompense for their years
of service as unpaid models
Maybe they should've unionized
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